It's been a couple of days since the memorable Lost series finale so I feel like I should chime in. I'll try to keep spoilers to a minimum but you've been warned. (edit: I tried but it's tough. Plenty of spoilers so abort now if you wish.)
I think I've exclaimed my displeasure with the series finale to most of my friends. After some more thought, I've decided to take some of it back because it really is a season long failure that I am angry about.
For those who've seen Lost, or heard about it, I think the main attraction was the action and intrigue generated by a bunch of survivors on a random mysterious island. Week after week, they would parade around previews showing bombs exploding and gun/fistfights and entering a random code to push an unexplained button on a computer. This culminated in season 5 with the island skipping through time because of a strange underground donkey wheel which would also magically transport the activator of the wheel to Tunisia. After the time shifting ended, the protagonists left on the island were trapped in the 70s, while those that managed to get off deciding to return to the island by crashing a plane on it. And half those people ended up in the present and the other half in the past! The remedy for the situation? Blow up an atomic bomb of course. This was all on top of giant statues, a wrecked olden ship in the middle of the island, polar bears, smoke monsters and seemingly ageless people.
This was the intrigue of the show for me. What the heck was going on? How does it all work? What's the big picture here? The final season came with much anticipation as we all looked for answers.
Then we saw a new wrinkle. After detonating a bomb, a new world or "alternate reality" emerged as part of the show (beginning of the final season) but ran concurrent with the current world where the castaways are STILL on the island. We the audience spent all of the last season trying to figure out what this all means and how the world's connect. And the series finale? It told us the answer.
Well that's just great. I'm fine with the final season as is, but what about seasons 1-5? All of the excitement and intrigue from the crazy scientific quandaries... like why can't women give birth to babies on the island? Or what is up with all the electromagnetism and the teams sent to study it? Or why is there a disparity in time between the island and the rest of the world, as diagnosed by a genius physicist on the show? No explicit answers were ever given.
As executive producer Damon Lindelof told E! Online, "I feel like you have to be very careful about entering into Midi-Chlorian territory (referring to the oft-maligned Star Wars Episode I)... But 'What is the Island?' That starts to get into 'What is the Force?' It is a place. I can't explain to you why it moves through space-time—it just does. You have to accept the fact that it does."
W. T. F. Lindelof and fellow producer Carlton Cuse have been throwing all of this science fictional stuff at us this whole time, but now we're just supposed to accept it? What teases. They say the show has been about characters' development and relationships. Fine, I accept that. It wasn't something just thrown in last second because we've seen all of the characters in their lives pre-island, post-island (for some) and in the alternate reality. Okay great, makes sense. But it's such a cop out for using the mixture of science, mystery and fantasy to lure us in. The funny thing is that this is eerily reminiscent of several of the characters' journey before, during and after being on the island. Everyone is supposed to have to go through a process of letting go. That's how they reach peace in the end.
Well fuck you Lindelof and Cuse. I'm not your puppet. I'm not a character in your story. You can't tell me just to accept things. In real life, if people misled you into believing you were going to get something that you in effect don't get, that's called detrimental reliance and you could get your ass sued in court. Because this is your brainchild, you're protected legally but the ill feelings are still there.
All of this is like someone concocting the most aromatic food ever. Something that smells enticingly delicious. As you get hungrier and hungrier, the scent becomes more overpowering and you want to get your hands on the meal and eat it. You work your way to the kitchen and when you finally get there, you get nothing. Actually, on top of nothing, you get a treadmill and you have Lindelof and Cuse telling your fat ass to run. Because it's good for you. Because you need to "let go" of the pounds.
None of this would have been an issue if they were upfront about it. When Alice was in Wonderland, you knew she was in motherfucking Wonderland. You don't question why the Cheshire cat disappears, or what's up with all those idiots at the tea party. Same with Lord of the Rings. Conversely, with shows like Star Trek, they actually come up with reasons why things work even though it's far from anything we have in reality. (e.g. Why do all aliens speak English? How does a starship travel so fast? How do people beam from one place to the next?) And this is all acceptable as well.
But throwing all of this in and then telling us that the whole thing is about character development and ending with them all reaching a point of enlightenment? Not impressed. The creators even threw in an episode about the history of the island and it's famous protector Jacob to try to appease everyone. Except all this did was try to get us to forget about all the science fictional stuff and dismiss it all as pixie dust and magic. I'm sorry, it's hard to forget when that's the ONLY reason you've tuned in for the last 5 seasons. Dismissing this whole thing as being about character development and relationships is like how a bunch of idiots out there explain how Twilight isn't a story about vampires, it's a story about character development and relationships. (Yes there are people out there who say this.) Right, it's not a vampire story. THEN WHY DO YOU HAVE PEOPLE WITH FANGS WHO DRINK BLOOD IN IT?!?!?!
Look, you're getting paid millions of dollars. The least you could do is fulfill both ends. Give us answers and make it about character development. I don't get paid to do half my job. Why should I accept that from someone else?
I've come up with several analogies as to what this whole series has been like. My best one was comparing Lost to a great 5 course meal, with every meal being amazing except for the last (entree) one. But my friend Andrew had an even better one which I'm quoting below (edited for grammar):
"I'd equate the series to one of [our friend] Sam's favorites, a hot date. You go pick her up and she comes out looking unbelievable (season 1). You get dinner. The ambience is nice. The conversation and interaction is okay (seasons 2-3). Move on to the movie. The material is a bit heavy for a casual date. You have glaringly different reactions to specific parts, highlighting differences in your personalities and values. Maybe it'll be an early night (seasons 3-4). Still, you opt for some drinks. The bar ends up being exactly the right scene. Not pretentious. Decent crowd. Just what you both wanted. With a little buzz on board, you're both more relaxed and the conversation picks up (season 5). Back at the house, foreplay. She's still looking good. You get the dress off. Hooray, it's not control briefs. Through the course of the date, you'd gradually stopped paying as much attention, but goddamn, she's looking fine (season 6). And the sex. The sex sucks. To quote the Kobe Bryant transcript 'I didn't finish at all' (season finale). You get out of there quickly ("Sure, I'll call you"). On to the next jumpoff."
Overall, do I regret being a fan? Not at all. Still a great ride. The suspense/excitement was great and we witnessed some great acting. (Michael Emerson aka Ben in particular was great. To go from hating his character to respecting him so much for his acting was a joy in itself.) But it doesn't excuse what I feel is poor resolution on the part of the creators.
